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- Peter Pan Statue in Kensington Gardens
The Peter Pan Statue in Kensington Gardens The Peter Pan Statue in Kensington Gardens is a must-visit landmark for fans of literature, families, and anyone seeking a touch of magic in London. This enchanting bronze statue immortalizes J.M. Barrie’s beloved fictional character, Peter Pan, the boy who wouldn’t grow up. The Legacy of J.M. Barrie Sir James Matthew Barrie (1860–1937) was a Scottish novelist and playwright whose imaginative works have captivated generations. His most famous creation, Peter Pan, first appeared in his play Peter Pan; or, the Boy Who Wouldn't Grow Up (1904) and was later adapted into the novel Peter and Wendy (1911). J.M. Barrie’s commitment to childhood wonder extended beyond his writing. Upon his death, he made a remarkable gesture of generosity by donating the copyrights to Peter Pan to Great Ormond Street Hospital, a renowned children's hospital in London. This unique gift has supported the hospital’s work for decades, making the story of Peter Pan not just a literary treasure but also a source of hope and healing. In addition to Peter Pan , Barrie authored other notable works, including The Little White Bird , where Peter Pan first appeared, and The Admirable Crichton , a satirical play on class and society. The Story Behind the Statue The Peter Pan Statue was created by Sir George Frampton, a distinguished sculptor of the early 20th century. It was commissioned by Barrie himself, who envisioned the statue as a tribute to his most iconic character. The location of the statue in Kensington Gardens, west of The Long Water, holds special significance. In The Little White Bird , Peter lands his boat in this very area, making it the perfect spot to bring the story to life. Unveiled in 1912, the statue captures Peter Pan standing on a tree stump, surrounded by playful animals and fairies. Its intricate design draws visitors of all ages, sparking curiosity and imagination. A Modern Twist: The Talking Statue In keeping with its timeless appeal, the Peter Pan Statue has embraced modern technology. Visitors can scan a QR code near the statue to hear its story, adding an interactive and educational element to their experience. This feature makes it particularly engaging for families with children, who can immerse themselves in the world of Neverland right in the heart of London. Visiting the Peter Pan Statue 📍 Address: Kensington Gardens, London W2 2UH 🚆 Nearest station: Lancaster Gate Underground Station Whether you’re a lifelong fan of Peter Pan, a lover of literary history, or simply looking for a unique experience in London’s Kensington Gardens, this iconic statue is worth a visit. Explore More Literary Landmarks London is a treasure trove of literary gems, from monuments and statues to museums and plaques. If you’re eager to uncover more hidden stories, check out our literary map of london . If you want to read more articles from Writer's Path, please go to our home page and subscribe to our emailing list. Our articles will come straight into your inbox.
- Virginia Woolf and Women in Literature: A Room of One’s Own
George Charles Beresford - Virginia Woolf in 1902 - Restoration Virginia Woolf – the author with the coolest surname! – was born in Kensington to a wealthy family of eight. Throughout her life, she was plagued by periods of mental illness, brought on by deaths of various family members who were close to her, but evidently it seemed not to impede her journey as a hugely influential modernist writer, and the first to use the stream of consciousness as a literary device. With her high birth status came a decent home education in English and Classics, and free rein of her vast home library. She then went on to attend the Ladies’ Department of King’s College London where she studied Classics and History. However, it was her feminist works which were so influential at the time which garner the most attention nowadays. A Room of One’s Own is one of Woolf’s extended essays, and is based on two lectures given in 1928 at Girton College and Newnham College, Cambridge, notably both women’s colleges at the time. It’s clear today that the extended essay is a masterful piece of feminist criticism, though at the time this type of literary criticism was not named. The speaker in the essay goes by the title of ‘any name you please’, suggesting Woolf is trying to represent the experiences of all women. The essay contains a thorough history of women’s writing, including Jane Austen, Charlotte Bronte, and George Eliot (the pen-name for Mary Ann Evans), and several others. Woolf then goes on to explain why women have been portrayed negatively in literature, why they have not written books of their own to combat this, and essentially advocating for women’s creative emancipation. The lectures represent Woolf’s bottom-up approach to getting more women into fiction, a goal which she said was important because men – the majority of authors at the time – only write from a male perspective. In fact, Woolf says that women are ‘the most discussed animal in the universe’, but this is only from a historic male viewpoint which up to that point had led to a fundamentally sexist portrayal of women in literature. She talks repeatedly of how women constantly heard ‘Shakespeare’s opinion of, Lord Bikenhead’s opinion of… Dr Johnson’s opinion of’ women, but little from their own perspective. However, by 1928, and the delivery of these lectures, Woolf took a much harsher tone. In her view, the woman was no longer a “victim”: at that time, women had had the right to vote and the right to practise a profession for ten years. Woolf, therefore (fairly or unfairly), criticised women for not taking up the opportunities that were now available to them, much like one of the earliest feminists – Mary Wollstonecraft, the mother of Mary Shelley – who argued that women were complicit in the male-dominated society as they did not aspire to be anything different. This may be surprising to hear, but it’s certainly true that Woolf was not one to take her rights for granted. She finished the essay (and the speeches) with a call to arms, addressing the reader or audience personally many times: she asks ‘What is your excuse?’ for not doing something great – a surprisingly combative message, but a powerful one nonetheless. The title of Virginia Woolf’s esteemed work – A Room of One’s Own – forms a key message in the essay itself too. Woolf observes how there are few female writers from before the 19th century, and much of this, she argues, is because women did not have the facilities in which to write; they did not have a room of their own (though, with frustration, she also accepts we know barely anything of the average woman’s life in the past as it was never properly chronicled). They also did not have the breadth of travelling experience men had, instead being stuck in the house. In fact, she introduces an interesting line of questioning where she considers, if Shakespeare had a genius sister, would she have received the same acclaim that he did? It was – unsurprisingly perhaps – decided that she would not. Instead, Woolf ends the story with the girl ‘kill[ing] herself one winter’s night’. Though at first this may sound dramatic, Woolf determines that this would be the fate for many female geniuses in the past, as they were laughed at and ridiculed as they tried to express themselves in the same way as men. Woolf said that ‘ there is no gate, no lock, no bolt that you can set upon the freedom of my mind’ even if you ‘lock up’ libraries and stop women having access to resources. This shows just how intent Woolf was on freeing women and their creativity. The argument she put forth – which is almost universally accepted today – is not that women were inferior, as many men would have believed at the time, but that they just needed freedom to be able to produce works equal to men’s. This has clearly been proven in the time since Woolf’s gave these seminal speeches, and her work itself has become evidence for women’s literary greatness. But she does, towards the end of the book, present a more positive angle. Though women’s genius has been hidden away for years, they have ‘sat indoors all these millions of years’ and the ‘walls have been permeated by their creative force’ so that women will soon explode into ‘business and politics’ as well as writing and painting as the tension has become too much. It is unclear quite where Woolf’s proto-feminist inclinations came from. Perhaps one place to start is her father’s encouragement of her writing, which is surprising at the time, as many women still had to hide their work from judgemental and disapproving relatives, or even servants who might snitch on them. On a literary note, she was inspired by authors such as Tolstoy and Chekhov. The latter she admired for his stories concerning ordinary people doing ordinary things. This perhaps is reflected in A Room of One’s Own as it is an examination of mostly everyday things – such as sitting on some grass – in which women are treated differently. The most poignant way to end, though, must surely be with the words of Virginia Woolf herself at the very end of the essay. Perhaps it is interesting for you to question whether we’ve succeeded in Woolf’s task. I think, by her terms, we have excelled: ‘My belief is that if we live another century or so … and have five hundred [pounds] a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting-room and see human beings not always in their relation to each other but in relation to reality; … if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare's sister will put on the body which she has so often laid down.’ If you want to read more articles from Writer's Path, please go to our home page and subscribe to our emailing list. Our articles will come straight into your inbox. Also Don’t forget to check out our shop for literary gifts inspired by Virginia Woolf's work
- Discover Unique Writer Gifts: A Literary Journey with Writer's Path
Karl Marx Word Art Scetch In the heart of London, a creative venture is reimagining how we celebrate literary excellence through Writer Gifts that are more than just merchandise – they're a tribute to the written word. Writer's Path emerges as a literary map of London, dedicated to remembering and rekindling the city's profound connections with literature. Our Unique Approach to Literary Gifts At Writer's Path, we transform the essence of great writers into extraordinary art pieces. Our journey from initial sketch to finished product is a meticulous process of creative discovery. Using vector-based design programs, we craft what we call "word art" – a revolutionary artistic approach where the image of a writer is composed entirely of words from their most significant works. The Karl Marx Collection: A Prime Example of Our Craft Karl Marx Mug Take our Karl Marx word art design, which perfectly encapsulates our innovative approach to writer gifts. This unique piece is more than just a decorative item – it's a literary celebration. The Karl Marx design features: A captivating silhouette of Karl Marx Karl Marx's portrait constructed entirely from the text of "The Communist Manifesto" and "Das Kapital" Seamlessly incorporating Karl Marx's famous quote, "Workers of the world unite" The name "Karl Marx" artfully integrated into the word art design Currently available as: Coffee mugs Framed posters With plans to expand to t-shirts and more A Gallery of Literary Legends: London's Literary Heritage Our current collection of word art designs celebrates iconic writers who share a profound connection to London: Karl Marx Oscar Wilde Virginia Woolf James Joyce Edgar Allan Poe William Shakespeare Each of these literary giants has a unique story that intertwines with London's rich literary landscape. They walked the same streets, frequented the same libraries, and contributed to the city's global literary reputation. Our word art designs not only celebrate these writers but also pay homage to London's enduring role as a global literary capital. And this is just the beginning! We're continuously expanding our collection, with plans to introduce word art designs featuring more literary legends who have called London home or been inspired by its vibrant literary scene. Stay tuned for upcoming additions that will further explore the deep literary connections of this historic city. Why Choose Writer's Path for Gifts for Authors? Our gifts are perfect for: Literature enthusiasts Book lovers Writers seeking unique inspirational pieces Those who appreciate innovative art From Concept to Creation Each piece begins as a carefully considered sketch, transformed through sophisticated vector-based design techniques. The result is a piece of art that speaks volumes – quite literally – about the writer it represents. Finding the Perfect Presents for Writers Whether you're searching for gift ideas for authors or looking for presents that truly celebrate literary passion, Writer's Path offers something extraordinary. Our word art designs are more than gifts – they're conversations, memories, and tributes to the written word. A London-Based Literary Legacy As a literary map of London, we're not just selling gifts – we're preserving and celebrating the rich literary heritage of one of the world's most storied cities. Expanding Horizons We're continually working to expand our collection, ensuring that our Writer Gifts continue to surprise, delight, and inspire. From mugs to posters, and soon t-shirts, we're creating a comprehensive range of gifts for authors that goes beyond the ordinary. Your Perfect Gift Awaits Whether you're looking for gift ideas for writers or presents for authors, Writer's Path offers a unique solution that combines artistic innovation with literary celebration. Our Writer Gifts are more than products – they're a tribute to the power of words. Celebrate literature with Writer's Path.
- The Raven's Whisper
The Inspiration Behind Edgar Allan Poe's Iconic Poem Edgar Allan Poe was an American poet, short-story writer, and literary critic, who lived in the 19th century. He is considered one of the most influential figures in American literature and is known for his tales of mystery and macabre. Some of his most famous works include "The Tell-Tale Heart," "The Fall of the House of Usher," and "The Raven. The Raven is one of Poe's most famous poems and is known for its haunting and melancholy tone. The poem tells the story of a man who is visited by a raven that speaks the word "Nevermore." The man becomes obsessed with the raven and is driven to madness as he tries to find meaning in the bird's mysterious word. Poe's inspiration for The Raven came from a variety of sources, including his own personal struggles with depression and alcoholism, as well as the death of his wife Virginia. The poem's melancholic tone and the raven's repetition of the word "Nevermore" reflect the themes of death, loss, and the human condition that are prevalent in much of Poe's work. In addition to these personal inspirations, it's interesting to note that Poe met with famous British novelist Charles Dickens and his pet raven Grip. This encounter is said to have had a profound impact on Poe, and some literary experts believe that the raven in The Raven was inspired by Grip. The meeting with Dickens and Grip cemented Poe's place in literary history and The Raven continues to be a popular and highly regarded piece of literature, studied and enjoyed by readers around the world. For those interested in exploring the story of Edgar Allan Poe and The Raven further, we recommend checking out the movie "The Raven" on Netflix. This movie, released in 2012, stars John Cusack and imagines a fictionalized account of the last five days of Poe's life, weaving elements from some of his famous works into the narrative. It provides a thrilling and intriguing look at the life and work of one of America's most famous writers. If you want to read more articles from Writer's Path, please go to our home page and subscribe to our email list. Our articles will come straight into your inbox. #TheRavensWhisper #EdgarAllanPoe #TheRaven #AmericanLiterature #Mystery #Macabre #TheTellTaleHeart #TheFallOfTheHouseOfUsher #Depression #Alcoholism #Death #Loss #HumanCondition #CharlesDickens #PetRaven #LiteraryHistory #PopularLiterature #JohnCusack #TheRavenMovie #Netflix
- Charles Dickens' Memorial in Marylebone
Charles Dickens' enduring presence in London's literary landscape is beautifully commemorated at Ferguson House, where an striking sculptural panel marks the site of his former residence. From 1839 to 1851, during one of his most prolific periods, Dickens lived at this Marylebone address, crafting some of his most beloved works that would go on to define Victorian literature. The memorial panel, created with remarkable detail, serves as a visual anthology of Dickens' creative output during his time at this location. At the center, the author's own portrait emerges in bold relief, surrounded by an array of his most memorable characters – each one a testament to his extraordinary imagination and storytelling prowess. Moving from left to right across this literary tableau, visitors can spot the memorable figures from his works: The haunting visages of Scrooge and Marley's ghosts from "A Christmas Carol" Barnaby Rudge accompanied by his faithful companion, Grip the raven The touching pair of Little Nell and her Grandfather from "The Old Curiosity Shop" The proud figures of Dombey and his daughter The incomparable Mrs. Gamp, one of Dickens' most colorful characters David Copperfield, perhaps Dickens' most autobiographical character The ever-optimistic Wilkins Micawber, whose financial difficulties and unwavering hope have become legendary During his twelve years at this address, Dickens penned six major works, each contributing to his reputation as one of England's greatest authors. This period marked a time of intense creativity and professional growth for the writer, as he developed and refined his distinctive style of social commentary wrapped in compelling storytelling. For visitors interested in exploring more of literary Marylebone, the area offers several complementary attractions. Just a short walk away, book lovers will find Daunt Books, a magnificent Edwardian bookshop with its stunning galleries and oak balustrades. This architectural gem, specializing in travel literature but offering much more, provides the perfect complement to any literary pilgrimage. After visiting the memorial and perhaps picking up a Dickens novel at Daunt Books, visitors can enjoy a peaceful stroll through the nearby Regent's Park. The park's boating lake offers a tranquil setting that Dickens himself might have enjoyed, and the Japanese Garden Island presents a serene escape from the urban bustle. These carefully maintained gardens, with their exotic plants and peaceful atmosphere, provide a perfect spot for reading or reflection. Suggested Literary Walk: Start at the Dickens Memorial Visit Daunt Books (83-84 Marylebone High St) Walk through Regent's Park to the boating lake Explore the Japanese Garden Island Return via the park's beautiful formal gardens This combination of literary history, book browsing, and natural beauty makes for a perfect London afternoon, connecting visitors with both the city's cultural heritage and its present-day charms. 📍Location: Ferguson House, 15 Marylebone Rd, Marylebone, London NW1 5JD 🚆 Access: The memorial is easily reached from Regent's Park Underground Station Discover More Literary London: 🗺️ Explore our Literary Map of London to uncover more hidden literary gems. 📚 Read More Literary Articles to dive deeper into London's rich literary heritage. 🎁 Browse our collection of Literary Gifts inspired by your favorite authors and books - perfect for bookworms and literature lovers. #CharlesDickens #literarylondonmap #literarylondon #visitlondon #famouswriters #englishwriters #writerspath #writerslife #CharlesDickensl ivedhere #Scrooge #Marleysghosts #BarnabyRudge #LittleNell #Dombey #MrsGamp #DavidCopperfield #WilkinsMicawber
- Agatha Christie's The Mousetrap
Agatha Christie's The Mousetrap stands as a crowning achievement in theatrical history, captivating audiences with its ingenious plot and masterful storytelling for over seven decades. When the curtains first rose at London's West End in 1952, few could have predicted that this murder mystery would become the world's longest-running play, entertaining millions of theatergoers until the global pandemic temporarily halted its remarkable streak. Set within the atmospheric confines of Monkswell Manor, a converted country house now serving as a guest house, the play masterfully weaves tension and suspicion into its narrative fabric. The story unfolds as seven strangers find themselves snowbound within the manor's walls, creating a perfect setting for Christie's signature brand of mystery. The arrival of a determined police sergeant, investigating a potential connection between the guests and a London murder, sets the stage for a gripping tale of deception and revelation. The mousetrap theatre experience begins the moment you step into the historic St Martin's Theatre. A highlight for visitors is the iconic performance number board displaying the remarkable count of performances since its opening. This board has become a popular photo spot, where excited theatergoers capture their moment of being part of this theatrical legacy. For a truly special memento, visitors can purchase a souvenir program book and have it stamped with their specific performance number – a unique tradition that connects each audience member to the play's remarkable history. The play's enduring success in London's West End is a testament to its universal appeal and timeless quality. The mousetrap west end production has become a cultural institution, drawing tourists and theater enthusiasts from around the globe. Its location in the heart of London's theatrical district has contributed to its legendary status, making it a must-see attraction for visitors to the city. What sets this production apart is its brilliant character development. Each of the seven guests harbors their own secrets, and Christie's genius lies in how she gradually reveals their true natures. The interactions between characters are perfectly crafted, with every conversation potentially holding vital clues to the mystery's solution. The play keeps audiences on the edge of their seats, constantly questioning their assumptions and revising their theories about the killer's identity. The production's staging has remained remarkably faithful to its original concept while subtly evolving with the times. The period setting adds to its charm, transporting audiences to a bygone era of British society. The attention to detail in the set design, costumes, and props helps create an immersive experience that has contributed to the play's lasting appeal. One of the most intriguing aspects of the production is the famous "secrecy pact" with the audience. At the end of each performance, viewers are asked not to reveal the shocking twist ending to others, creating an exclusive club of those "in the know." This tradition has successfully preserved the mystery for new generations of theatergoers, allowing each audience to experience the surprising revelation fresh and unspoiled. The play's influence on the mystery genre cannot be overstated. It has inspired countless other productions and helped establish many of the conventions we now associate with theatrical mysteries. The clever plot construction, red herrings, and psychological manipulation of audience expectations have become blueprints for mystery writers and playwrights. Agatha Christie's The Mousetrap remains a shining example of theatrical excellence, combining suspense, humor, and psychological insight into an unforgettable evening of entertainment. Its legacy continues to grow with each performance, marked by the ever-increasing number on that famous performance board, proving that a well-crafted mystery never loses its power to enthral and surprise audiences, generation after generation. For booking information, current performance schedules, and to become part of this historic theatrical tradition, visit the official website at www.the-mousetrap.co.uk. 📍West St, London WC2H 9NZ The nearest station is Leicester Square Underground Station. 🚆 if you want to find more hidden literary gems in London visit our Writer's Path Map https://www.writerspath.co.uk/map 👈 #agathachristie #englishwriter #literature #loveliterature #londonswestend #londonliterature #writerspath #literarylocations #playwright #literary #literarymapoflondon #famousauthors #famouswriters #literarylondon #literarylandmarksinlondon #stmartinstheatre #themousetrap #murdermystery #whodunnit #crimenovel
- Hatchards Booksellers: Oldest Bookshop in London
Hatchards Booksellers in Piccadilly is London's oldest bookshop, founded in 1797. 📚 Nestled in the heart of London's literary history, Hatchards stands proudly at 187 Piccadilly, St. James's, London W1J 9LE, and remains a cherished landmark for book lovers from around the world. As the Official Bookseller to the Royal Household, Hatchards holds a prestigious place in British history and culture. Over the centuries, it has cultivated a reputation for excellence, curating an extensive collection of books that appeal to its elite book lovers. Hatchards was a favourite bookshop for many renowned writers, including Lord Byron, Samuel Taylor Coleridge, Aldous Huxley, Beatrix Potter, and Oscar Wilde. The latter was a frequent client of Hatchards in the 1890s. In fact, a table on the ground floor is even called "Oscar’s Table" because he signed so many books there, leaving his literary mark not only on the pages but within the very walls of the bookshop. The bookshop's connection to literary giants extends beyond Oscar Wilde. It is believed that Jane Austen mentioned Hatchards in her famous novel, Mrs Dalloway. This rich literary heritage fills the shop with a timeless charm that continues to attract authors and readers alike. For those planning a visit, the nearest station is Piccadilly Circus Underground Station.🚆 This convenient location makes Hatchards an easy and delightful stop for both locals and tourists exploring London's vibrant literary scene. Hatchards is more than just a bookshop; it is a living testament to the enduring love for books and the written word. Whether you are a literary enthusiast, a casual reader, or a history buff, a visit to Hatchards promises a unique and enriching experience that connects you to the heart of London's storied past. 📍187 Piccadilly, St. James's, London W1J 9LE Tap in our link in bio to visit our website and find more literary gems like this. 👈 #hatchards #Londonbookshops #hatchardsbooksellers #oldestbookshopinLondon #hatchardspiccadilly
- Karl Marx’s Utopia
The name that strikes fear into the heart of capitalists worldwide: Karl Marx Karl Marx, born in 1818, was a German revolutionary, author and philosopher. Marx was one of the most important political theorists of the 19th century best known for his ideas about communism and capitalism. Because of his political views and publications, Marx had to live in exile with his family in London until his death in 1883, but his most famous works – The Communist Manifesto and Das Kapital – are nonetheless, without doubt, the most influential socialist publications of all time. Marx was born in Trier, Germany, into a family which eventually grew to nine children. Little else is known about his childhood, up until he went to the University of Bonn to study Law (a choice his father made, as it was “more practical” than Marx’s desired choice of studying philosophy and literature). Even there, he was a controversial figure, joining a radical political ‘Poets’ Club’ which was even monitored by police. Assumedly due to his commitment to his politics, his grades began to slip, and he was transferred to the more studious University of Berlin. After writing his dissertation on why philosophy is a far superior study to theology, he graduated and became a journalist for the Rhineland News, in which he expressed his early views on socialism and economics. Again, at this stage, his work was already controversial: all of his articles were checked for seditious material by the Prussian government before printing. The next important stage of Marx’s life was when he befriended Friedrich Engels. At this point, after the evident hostility to him in Germany, he had moved to Paris. Engels’ book, The Condition of the Working Class in England in 1844 convinced Marx that the working classes could be the only agent of a communist revolution, and soon the two began collaborating closely. By the end of 1844, “Marxism” had begun to form in their minds. What is Marxism? Karl Marx is undoubtedly one of the world’s most influential philosophers, as well as a prominent revolutionary, so it is worthwhile understanding his ideas. Karl Marx's utopia was a classless, stateless society (however that would work!), where everyone is equal, led by the working classes who were subjugated by the capitalist elite in current societies. Marx’s method of achieving this utopia was first outlined in The Communist Manifesto . The work begins by describing his idea of historicism. This is a view that sees the history of all nations following a process beginning with primitive societies, through to absolute communism. In between, Marx describes the transient stages including slave-based societies, feudal societies, the emergence of capitalism, and then its destruction by the proletariat. In essence, this view means that – in Marx’s view – the destruction of capitalism was inevitable, though there was a journey to be followed. This first point of the manifesto is hugely significant, as its writing at the height of the industrial revolution shows how controversial it was, though there seemed little likelihood that such as powerful system could be overthrown. As stated in his historicist theory, revolution was hugely important for Marx, as it made up an entire stage of his historical plan for how communism was to be achieved: the violent overthrow of capitalism by the proletariat was both necessary and inevitable. He strongly disagreed with the notion that socialism or communist could be achieved through peaceful means, and instead believed that the complete destruction of capitalism was necessary as capitalists would do anything to hold on to their power and wealth. Next in his manifesto, Marx addressed his concept of class, and the class struggle. As anyone who’s familiar with socialist beliefs will know, Marx saw class as the defining divider within society. He believed that the working classes were hugely downtrodden, being ruled instead by a bunch of greedy capitalists, who owned the workers are merely a factor of production, thus exploiting their labour for profit. Therefore, in his Communist Manifesto, Marx outlined the world where the working classes would engage in a class struggle – known as a dialectic: this is the clash between the dominant classes and the working classes, which results in the working classes’ alienation, eventually causing revolution. Marx’s second hugely influential publication was Das Kapital , which focused more on the economics of communism rather than the theory behind it . (It was published after his initial dive into economics in The Poverty of Philosophy which was a witty, and critical response to Proudhon’s own book, The Philosophy of Poverty ). Perhaps the most important part of Das Kapital is Marx’s specific description of what he calls ‘surplus value’ – a term for profit which denotes how workers’ labour is exploited, meaning they do not receive the full rewards for their labour. The significance of Marx’s observation is that he wants an economy where the workers own all the means of production, so there is no “profit”, and instead the workers get the full fruits of their labour without any being diverted to owners. Marx’s influence for all his ideas is not the most transparent thing, though, particularly as his own upbringing was not mired by poverty by any means. In fact, he and Engels were both supported by Engels’ work managing his father’s cotton spinning factory (clearly a capitalist job), though at that time, the irregular payments he was receiving meant he did live in relative squalor for a while. This – devastatingly – is shown by the deaths of three of his six children (Henry, Jenny, and Edgar) during his time there. However, whilst living during the 19th century, Marx saw the problems of poverty, disease, and early death throughout Europe even more extensively, and noted how they were inextricably linked with being working class. (Engels was inspired by a similar reckoning, and described the misery of the working classes in his 1844 book, The Condition of the English Working Class in grim detail.) Surprisingly, Marx was also influenced by the works of other philosophers, such as Adam Smith, Immanuel Kant, and John Locke. These philosophers were propagating the capitalist and liberalist ideologies, which are the antithesis of Marxism, and the consensus with which they were accepted encouraged Marx to write against them. As well as the philosophical influences on Marx, he was also influenced by Darwin’s work. His theory of natural selection was hugely important for Marx, and a friend once reported that Marx ‘spoke of nothing else for months’. In Das Kapital, Marx expressed his belief that natural selection was the basis for the class struggle. Finally, the works of Percy Shelley were also inspirational to Marx, as Shelley was an outspoken critic of the status quo in England. This is expressed in his poetry such as ‘England in 1819’, a sonnet which criticises the King as ‘leechlike’ upon the country. This kind of thinking is clearly analogous to Marx’s own. Perhaps this literary influence is why Marx wrote works of his own including several poems, and even a satirical novel, Scorpion and Felix , which was never finished. Marx’s Influence However, perhaps more interesting than what influenced Marx is who and what he influenced himself. Broadly, he of course influenced socialism for generations to come, but the most interesting effect of his writings is how he inspired Lenin. Leninist-Marxism was the ideology that swamped Soviet Russia throughout the 20th century; it was the ideology that killed millions due to ‘purges’; the ideology that spent years trying to create the perfect communist society, but ended in abject failure. However, despite the failure of the Soviet Union – the most common retort against Marx’s ideas – as an ideologue and philosopher, Marx was one of the best. No one had thought of these principles as extensively as Marx, and his exploration inspired generations of philosophers, such as Rosa Luxemburg, Beatrice Webb, and David Miliband, as well as many leaders, including Stalin, Mao, and Castro (not the most flattering list, but there we are!). Therefore, it’s clear that however controversial his publications and ideology were, they were hugely influential. The fact that Marxist theory is used pejoratively by right-wing politicians shows just how powerful an ideology it is and finally expresses why Marx was such an important philosopher and writer. If you want to read more articles from Writer's Path, please go to our home page and subscribe to our emailing list. Our articles will come straight into your inbox. For those interested in Karl Marx gifts, don't miss our Karl Marx Mug available in our store. Also, don't forget to subscribe to our newsletter to receive 10% off in the shop! #karlmarx #germanrevolutionist #marxism #literaryarticles #literarylondon #writerspath #daskapital #germanphilosopher #thecommunistmanifesto #19thcenturyphilosophy
- Voltaire in London
Did you know that the famous French writer Voltaire once lived in London? Francois-Marie Arouet (1694-1778) – under the pen name of Voltaire – was a French writer, philosopher, satirist and playwright. Some of his notable works were his tragic play, Zaïre , the historical study, The Age of Louis XIV , and the satirical novella, Candide . He wrote in almost every literary form, including plays, poems, novels, essays, and historical and scientific works as well as writing more than 20,000 letters and more than 2,000 books and pamphlets. Voltaire was exiled to England and lived in London from 1726 to 1728. He lodged in a house around Charing Cross area from 1727 to 1728; a green plaque can be found at this site to celebrate this. 📍 10 Maiden Ln, Charing Cross, London WC2E 7NA The nearest station is Covent Garden Underground Station. 🚆 if you want to find more hidden literary gems in London visit our Writer's Path Map https://www.writerspath.co.uk/map 👈 #voltaire #frenchwriter #literature #worldhistory #loveliterature #booklover #bookaddict #reading #londonliterature #writerspath #literarylocations #writer #literary #literarymapoflondon #writersmap #famousauthors #famouswriters #literarylondon #literarylandmarksinlondon #bookworm #booklover #frenchauthor #satirist
- The Meeting of the Minds
Sir Arthur Conan Doyle and Oscar Wilde The Langham Hotel in London is one of the city's most famous and historic hotels. Built in 1865, it was the first hotel in Europe to have electric lights and hydraulic lifts, and it quickly became a favourite among the city's elite. It was also the site of many important meetings and events, including the meeting between two of the most renowned writers of the Victorian era. This meeting would go down in history as a momentous occasion, for both men would go on to become highly acclaimed authors whose works would endure for centuries. These two men were none other than Sir Arthur Conan Doyle and Oscar Wilde, who had come together to share their thoughts, ideas, and inspirations. This meeting of the minds marked the beginning of a unique friendship between these two iconic authors. Their friendship would continue to grow over the years, and they would often meet and correspond with each other, sharing their thoughts and ideas on literature and the writing process. In fact, it is believed that their friendship played a role in the success of their writing. Both Sir Arthur Conan Doyle and Oscar Wilde were known to be fiercely competitive, and their friendly rivalry may have pushed them to write some of their best work. Sir Arthur Conan Doyle is best known for his detective stories featuring the iconic character Sherlock Holmes, while Oscar Wilde was a playwright, poet, and novelist known for his wit and satirical writing. In addition to being two of the greatest writers of their time, Sir Arthur Conan Doyle and Oscar Wilde had different writing styles and came from different backgrounds, they both shared a passion for literature and were known to have a deep admiration for each other's work. In 1889, both Sir Arthur Conan Doyle and Oscar Wilde were invited to the Langham Hotel to meet with the editor of Lippincott's Magazine, a popular literary magazine at the time. This meeting was held to discuss the possibility of publishing some of their work in the magazine. As a result of this meeting, Sir Arthur Conan Doyle would go on to write "The Sign of Four," the second Sherlock Holmes novel, which was published in Lippincott's Magazine in 1890. Oscar Wilde, on the other hand, would write "The Picture of Dorian Gray," which was published in Lippincott's Magazine in 1891 and is considered to be one of his greatest works. In conclusion, the meeting between Sir Arthur Conan Doyle and Oscar Wilde at the Langham Hotel in London was an important event in the history of literature. It not only brought together two of the greatest writers of their time, but it also led to the publication of some of their most famous works in a popular literary magazine. This meeting solidified their friendship and likely played a role in the success of their writing. There is a green memorial plaque that can be found on the building. 📍The Langham Hotel, 1C Portland Pl, Marylebone, London W1B 1JA 🚆 The nearest station is Oxford Circus Underground Station. If you want to read more articles from Writer's Path, please go to our home page and subscribe to our email list. Our articles will come straight into your inbox. #oscarwilde #sirarthurconandoyle #literarylondonmap #literarylondon #visitlondon #famouswriters #literarymapoflondon #writerspath #writerslife #arthurconandoyle
- Happy Birthday Katherine Mansfield
Kathleen Mansfield Murry (1888-1923) was born on this day (14th of October) in 1888. She was born in New Zealand and moved to England at the age of nineteen. She was a short story writer and poet. Mansfield made friends with D. H. Lawrence and Virginia Woolf. Although her literary career was very short (as she sadly died at thirty-four owing to tuberculosis), she is seen as one of the best short story writers of all time. Some of her best-known works were The Garden Party, A Dill Pickle, Mr and Mrs Dove, and The Fly. Katherine Mansfield lived in a house in Hampstead. There is a blue plaque on this building, as this is the house where Murry lived with her husband, John Middleton Murry. 🔵 📍17 East Heath Road, Hampstead, London, NW3 1AL 🚆 The nearest station is Hampstead Underground Station. If you want to find more hidden literary gems like this, visit our literary map of London through the link. https://www.writerspath.co.uk/map 👈 #katherinemansfield #literarylondonmap #literarylondon #visitlondon #famouswriters #literarymapoflondon #writerspath #writershouse #writerslife #newzelandwriters #shortstorywriters #kathleenmansfieldmurry #literarymodernism
- George Orwell in Hampstead
George Orwell lived and worked in a bookshop on this site. Under the pen name of George Orwell, Eric Arthur Blair (1903-1950) was a hugely successful English novelist, political essayist and journalist known for his left-wing, anti-totalitarian views. Orwell wrote six novels, and most of them were semi-autobiographical. Some of his best-known works were Animal Farm, Nineteen Eighty-Four, Homage to Catalonia and Down and Out in Paris and London. George Orwell lived and worked as a part-time assistant in a second-hand bookshop called Booklover’s Corner on this site during the mid-1930s. Orwell was writing Keep the Aspidistra Flying, one of his early novels on social criticism, while he was living and working on this site. The novel is set in London in 1934, and it was first published in 1936. Nowadays, the site serves as a Gail's Bakery. 🍩 You can still flip through the pages of a book plus have a cup of coffee on this literary important site. 📖☕ You will only need to bring the book yourself. 😊 A memorial plaque can be found here. 🔵 📍1 S End Rd, London NW3 2PT 🚆 The nearest station is Hampstead Heath Overground Station. If you want to find more hidden literary gems in London visit our Writer's Path Map https://www.writerspath.co.uk/map 👈 #GeorgeOrwell #literarylondonmap #literarylondon #visitlondon #famouswriters #englishwriters #literaryhampsteadheath #writerspath #writershouse #writerslife #ericarthurblair #englishnovelists